Liminal Performance Group: Newsroom

Willamette Week - June 14, 1999

by Steffen Silvis

As defined by the performance swcholar Victor Turner, “liminal” is a threshold state-the ambiguous state between reality and illusion where all theater resides. The Liminal performance group has become one of Portland’s most innovative and exciting companies and is deserving of its growing following. Fusing dance, mime, music and text, Liminal achieves what most theaters fail to: It brings its audience to the hallucinatory threshold along with it. Written and directed by Bryan Markovitz, The Evening with the Photograph begins and ends with a man’s entertainment of suicide. In between, all of existence is dragged in for scrutiny. The Liminal corps are exceptional performers: Rich Southwick, Jennifer Olson, Christoph Saxe, Amanda Boekelheide (those who saw the company’s production of Jowl Movements I-IX will especially delight in her performance) and Trent Moore, who would make a brilliant stand-up theoretician. John Berendzen’s sound design is a rich sonic stew. Like Ionesco, Liminal strives to make something that’s truer than reality by creating a heightened theatrical state.

Current News

Features

Resurrectory preview
Portland Tribune, May 5, 2005

Death, Drama, Deconstruction
Portland Mercury, May 4, 2005

Cult of the Liminal
Portland Mercury, April 17, 2003

Liminal Fills Its New Space With A Little Show
Willamette Week, Feb. 21, 2003

Liminal Puts a Modern Spin on Brecht/Weill
The Oregonian, August 23, 2002

The Seven Deadly Sins
Portland Mercury, August 29, 2002

The Seven Deadly Sins
Portland Tribune, August 30, 2002

Artbeat segment on Liminal
OPB, May 2001 [.mov]

Ad for the Artbeat segment on Liminal
OPB, May 2001

Where Text Meets Technology
The Oregonian, April 22, 2001

The New School
Willamette Week, Sept. 15, 1999

Letters to the Editor
Willamette Week, Nov. 11 & 18, 1998

Reviews

Far Away

Portland Mercury Feb. 9, 2006

The Oregonian Feb. 5, 2006

The Oregonian Jan. 25, 2006

Willamette Week Jan. 25, 2006


The Resurrectory

Artweek July/August 2005, Vol. 36, Issue 6

Portland Mercury June 6, 2005

The Oregonian May 13, 2005

Willamette Week May 11, 2005


Faust(Faust)

Portland Mercury Oct. 16, 2003

The Oregonian Oct. 10, 2003

Willamette Week Oct. 8, 2003


Krapp’s Last Tape

Portland Mercury July 31, 2003

The Oregonian July 25, 2003


Three Plays, Five Lives

The Oregonian May 5, 2003

Willamette Week April 26, 2003

Portland Mercury April 24, 2003


Minimal at Liminal

Willamette Week Feb. 26, 2003

The Oregonian Feb. 25, 2003


The Seven Deadly Sins

The Oregonian Sept. 5, 2002


Objects for the Emancipated Consumer

The Georgia Straight Nov. 1, 2001


Interrupt: Interactive Hypermedia

Willamette Week, Nov. 14, 2000


The Hour We Knew Nothing Of Each Other

The Oregonian April 13, 2000


The Evening with the Photograph

The Oregonian June 19, 1999

Willamette Week June 14, 1999


Jowl Movements I-IX

Willamette Week Nov. 4, 1998

The Oregonian Nov. 6, 1998

The Oregonian Oct. 23, 1998


Suicide in B-flat

The Oregonian August 20, 1997

Willamette Week August 13, 1997

Articles by Liminal members

TBA vs. Blazing Saddles
The Organ Review of Arts, Winter 2004

dumb type
Willamette Week, March 13, 2002

Beyond the Fringe
Willamette Week, March 28, 2001

Past news releases




©2008 Liminal Performance Group / P.O. Box 40353, Portland, Oregon 97240-0353 / Founded in 1997 / info [at] liminalgroup [dot] org / Join our mailing list.