Liminal Performance Group: Newsroom
For immediate release - March 16, 1998

Is Portland still intimidated by the avant-garde? Examining the role of marginal art in Oregon’s growing urban community

On Wednesday, April 8, 1998 Reed College’s Division of Arts and Division of Language and Literature will present a panel-led public discussion examining the significance of contemporary, avant-garde and marginal art mediums in Portland and the surrounding region. Led by Jon Raymond, artist/editor for Plazm and visual art critic for both The Oregonian and Willamette Week, the panel will include: Kristy Edmunds, curator/executive director, PICA; Mike Brophy, visual artist; Marcus Verhagen, assistant professor of art history, Reed College; and Miranda July, visual/performance artist and founder, Big Miss Moviola Productions.

Does the quintessential avant-garde artist exist at the end of the twentieth century? Perhaps not as he or she did one hundred years ago when the avant-garde fought to revolutionize bourgeois society. Much has been written about the “death of the avant-garde” in a postmodern culture that is saturated with information from the internet and MTV. We live in a culture where little of anything is shocking. Many critics and theorists have suggested that the avant-garde desire to be ever new and startling is no longer possible.

Why then, are there still artists working on the margins of art who resist mainstream cultural aesthetics? What drives them to create work that is challenging to observers and not always easy to comprehend? Like much in our region, Portland’s art scene is growing. There are new voices being heard that are leading audiences away from the hegemony of traditional downtown arts institutions in search of something new.

Portland has a long way to go before it becomes the cultural center of contemporary art, but this doesn’t seem to bother those who charge ahead. What makes Portland’s cultural community so lively is its will to discover new territory in art that is as unique as the territory in which we live.

Join us at Reed College for what will certainly be an eventful discussion of art and culture by some of Portland’s most compelling and thoughtful voices in the contemporary arts community.

The April 8 Symposium is free and open to the public. The discussion will be held at Reed College, Vollum Center Lecture Hall from 7:00 p.m. to 8:30 p.m. Doors will open at 6:30p.m.

For further information or directions please contact Bryan Markovitz at 228-7231.

###

Current News

Features

Resurrectory preview
Portland Tribune, May 5, 2005

Death, Drama, Deconstruction
Portland Mercury, May 4, 2005

Cult of the Liminal
Portland Mercury, April 17, 2003

Liminal Fills Its New Space With A Little Show
Willamette Week, Feb. 21, 2003

Liminal Puts a Modern Spin on Brecht/Weill
The Oregonian, August 23, 2002

The Seven Deadly Sins
Portland Mercury, August 29, 2002

The Seven Deadly Sins
Portland Tribune, August 30, 2002

Artbeat segment on Liminal
OPB, May 2001 [.mov]

Ad for the Artbeat segment on Liminal
OPB, May 2001

Where Text Meets Technology
The Oregonian, April 22, 2001

The New School
Willamette Week, Sept. 15, 1999

Letters to the Editor
Willamette Week, Nov. 11 & 18, 1998

Reviews

Far Away

Portland Mercury Feb. 9, 2006

The Oregonian Feb. 5, 2006

The Oregonian Jan. 25, 2006

Willamette Week Jan. 25, 2006


The Resurrectory

Artweek July/August 2005, Vol. 36, Issue 6

Portland Mercury June 6, 2005

The Oregonian May 13, 2005

Willamette Week May 11, 2005


Faust(Faust)

Portland Mercury Oct. 16, 2003

The Oregonian Oct. 10, 2003

Willamette Week Oct. 8, 2003


Krapp’s Last Tape

Portland Mercury July 31, 2003

The Oregonian July 25, 2003


Three Plays, Five Lives

The Oregonian May 5, 2003

Willamette Week April 26, 2003

Portland Mercury April 24, 2003


Minimal at Liminal

Willamette Week Feb. 26, 2003

The Oregonian Feb. 25, 2003


The Seven Deadly Sins

The Oregonian Sept. 5, 2002


Objects for the Emancipated Consumer

The Georgia Straight Nov. 1, 2001


Interrupt: Interactive Hypermedia

Willamette Week, Nov. 14, 2000


The Hour We Knew Nothing Of Each Other

The Oregonian April 13, 2000


The Evening with the Photograph

The Oregonian June 19, 1999

Willamette Week June 14, 1999


Jowl Movements I-IX

Willamette Week Nov. 4, 1998

The Oregonian Nov. 6, 1998

The Oregonian Oct. 23, 1998


Suicide in B-flat

The Oregonian August 20, 1997

Willamette Week August 13, 1997

Articles by Liminal members

TBA vs. Blazing Saddles
The Organ Review of Arts, Winter 2004

dumb type
Willamette Week, March 13, 2002

Beyond the Fringe
Willamette Week, March 28, 2001

Past news releases




©2008 Liminal Performance Group / P.O. Box 40353, Portland, Oregon 97240-0353 / Founded in 1997 / info [at] liminalgroup [dot] org / Join our mailing list.