Liminal Performance Group: Newsroom

For Immediate Release August 7, 2002
Media Contact: Bryan Markovitz, 503 890 2993, bryan@liminalgroup.org

Liminal Stages Avant-garde Cabaret at Popular Portland Dance Club

Portland, Ore.—From August 29 to September 28, Liminal Performance Group will present an electronic adaptation of Kurt Weill and Bertolt Brechts classic 20th Century Modern opera, The Seven Deadly Sins. Performances will take place at Portlands quintessential late-night dance club—Panorama—on Thursday through Saturday nights at 8:30 PM. Two shows nightly will be performed on August 29, September 5 and September 26 at 8:30 PM and 10:30 PM.

Within Panorama’s 12,000 square foot space, this adaptation of Brecht/Weills epic opera becomes an electronic cabaret of sensory-overload, merging the best of Liminals ironic avant-garde performance styles with the raw sensuality of a meat-market dance floor. Liminals singers will perform the libretto in its original German (because it sounds better that way) with projected subtitles of Liminals original translation by Emily Ford. The Seven Deadly Sins features mezzo-soprano diva Lyndee Mah, a chorus of singers, a retro-80s synthesized sound score, live piano from Stephen Alexander, Catherine Egan’s movement direction, a full cast of characters, saturated video projections and cocktail bars. Audiences will be free to sit or move throughout the space that surrounds the performance runway, and may stay after the show to dance late into the night.

“We want to make The Seven Deadly Sins the most decadent theatrical experience you can get in Portland,” says Director Bryan Markovitz. We invited Panorama to be our presenting sponsor because we wanted to perform the show outside of a traditional theatre setting. We are very excited to be working with them. Our goal is to blur the distinctions between high art opera, multimedia performance, voyeur peep-show and rave debauchery. These elements are in constant tension with each other during the performance, leading to a unique experience that is smart, critical, fast, aggressive, straight up and full of attitude.

The Seven Deadly Sins is about two sisters who leave home to make enough money to build a small house for their family in Louisiana. Anna I, the singer, is the manager. Anna II, the dancer, is the artist. Anna I is the saleswoman, Anna II is the object for sale. The show is divided into episodes where the sisters tour seven cities, making money in an ever-changing marketplace. Throughout their travels, Anna II must resist her sinful desires so that her family may profit. Finally, the sisters return home to their family on the banks of the Mississippi River.

THE SEVEN DEADLY SINS AT PANORAMA

341 SW 10th and Stark
August 29-September 28
Thursdays-Saturdays, 8:30 PM
Second shows on Thursdays—8/29, 9/5 and 9/26, 10:30 PM

Tickets $16 (includes first well drink or domestic beer), 21 and over

Tickets available starting August 19 at Jackpot Records and at the door
For reservations or information: 503 890 2993

Liminal is an ensemble of artists collaborating through live performance to discover new disciplines that merge theatre, the fine arts, and multimedia technologies. For the past year, the company has been working on The Seven Deadly Sins as well as an original new work that will premiere in November.

Liminal is pleased to announce Panorama as our presenting sponsor. Originally a gay dance club on the Stark blocks, Panorama became infamous in the 1990s for its mix of queer culture and sex-hungry college students. After a short closure, Panorama reopened last fall as Portlands best rated all-night dance space with music from a weekly lineup of DJs and special events like their ever-popular foam parties.

###

Current News

Features

Resurrectory preview
Portland Tribune, May 5, 2005

Death, Drama, Deconstruction
Portland Mercury, May 4, 2005

Cult of the Liminal
Portland Mercury, April 17, 2003

Liminal Fills Its New Space With A Little Show
Willamette Week, Feb. 21, 2003

Liminal Puts a Modern Spin on Brecht/Weill
The Oregonian, August 23, 2002

The Seven Deadly Sins
Portland Mercury, August 29, 2002

The Seven Deadly Sins
Portland Tribune, August 30, 2002

Artbeat segment on Liminal
OPB, May 2001 [.mov]

Ad for the Artbeat segment on Liminal
OPB, May 2001

Where Text Meets Technology
The Oregonian, April 22, 2001

The New School
Willamette Week, Sept. 15, 1999

Letters to the Editor
Willamette Week, Nov. 11 & 18, 1998

Reviews

Far Away

Portland Mercury Feb. 9, 2006

The Oregonian Feb. 5, 2006

The Oregonian Jan. 25, 2006

Willamette Week Jan. 25, 2006


The Resurrectory

Artweek July/August 2005, Vol. 36, Issue 6

Portland Mercury June 6, 2005

The Oregonian May 13, 2005

Willamette Week May 11, 2005


Faust(Faust)

Portland Mercury Oct. 16, 2003

The Oregonian Oct. 10, 2003

Willamette Week Oct. 8, 2003


Krapp’s Last Tape

Portland Mercury July 31, 2003

The Oregonian July 25, 2003


Three Plays, Five Lives

The Oregonian May 5, 2003

Willamette Week April 26, 2003

Portland Mercury April 24, 2003


Minimal at Liminal

Willamette Week Feb. 26, 2003

The Oregonian Feb. 25, 2003


The Seven Deadly Sins

The Oregonian Sept. 5, 2002


Objects for the Emancipated Consumer

The Georgia Straight Nov. 1, 2001


Interrupt: Interactive Hypermedia

Willamette Week, Nov. 14, 2000


The Hour We Knew Nothing Of Each Other

The Oregonian April 13, 2000


The Evening with the Photograph

The Oregonian June 19, 1999

Willamette Week June 14, 1999


Jowl Movements I-IX

Willamette Week Nov. 4, 1998

The Oregonian Nov. 6, 1998

The Oregonian Oct. 23, 1998


Suicide in B-flat

The Oregonian August 20, 1997

Willamette Week August 13, 1997

Articles by Liminal members

TBA vs. Blazing Saddles
The Organ Review of Arts, Winter 2004

dumb type
Willamette Week, March 13, 2002

Beyond the Fringe
Willamette Week, March 28, 2001

Past news releases




©2008 Liminal Performance Group / P.O. Box 40353, Portland, Oregon 97240-0353 / Founded in 1997 / info [at] liminalgroup [dot] org / Join our mailing list.