Willamette Week, February 26, 2003
by Richard Speer
It’s cold in the Liminal Space, but nobody cares. The audience is content to shiver through this music, which was radical 40 years ago and still has the power to grip, if not, anymore, to shock. There’s nary a rustle in the (ware)house as proto-minimalist John Cage’s infamous 4′33″ fills the air with a whole lotta nothin’, but people get up and walk around—or lie on the floor and zone—during Terry Riley’s hypnotic In C, in which a dozen musicians overlap musical lines, guided only by a xylophone pulse and a male vocalist’s drone. For Philip Glass’ 1+1 a percussionist taps a prescribed rhythm on a tabletop, then taps it out again to pre-recorded accompaniment. Steve Reich’s Pendulum Music consists of four microphones swaying back and forth over amps, producing vaguely unnerving feedback. Minimalism has evolved in myriad directions since the ’60s, but Liminal has successfully conjured up the heady, experimental days of its infancy.
Current News
Features
Resurrectory preview
Portland Tribune, May 5, 2005
Death, Drama, Deconstruction
Portland Mercury, May 4, 2005
Cult of the Liminal
Portland Mercury, April 17, 2003
Liminal Fills Its New Space With A Little Show
Willamette Week, Feb. 21, 2003
Liminal Puts a Modern Spin on Brecht/Weill
The Oregonian, August 23, 2002
The Seven Deadly Sins
Portland Mercury, August 29, 2002
The Seven Deadly Sins
Portland Tribune, August 30, 2002
Artbeat segment on Liminal
OPB, May 2001 [.mov]
Ad for the Artbeat segment on Liminal
OPB, May 2001
Where Text Meets Technology
The Oregonian, April 22, 2001
The New School
Willamette Week, Sept. 15, 1999
Letters to the Editor
Willamette Week, Nov. 11 & 18, 1998
Reviews
The Hour We Knew Nothing Of Each Other
The Oregonian April 13, 2000
Articles by Liminal members
Past news releases
Liminal stages Caryl Churchill’s play Far Away
December 16, 2005
Liminal’s Resurrectory Re-Commits, Investigates 100-Year-Old Murders
March 28, 2005
High-resolution photos of The Resurrectory
Bikes, Bands and Bacchanalia Oct. 21, 2003
Faust(Faust) August 13, 2003
Krapp’s Last Tape June 28, 2003
Three Plays, Five Lives April 1, 2003
FluXconcert PDX March 17, 2003
Minimal at Liminal February 4, 2003
The Seven Deadly Sins August 7, 2002
Objects for the Emancipated Consumer (in Vancouver, B.C.) Oct. 4, 2001
Objects for the Emancipated Consumer (in Portland) April 4, 2001
Objects for the Emancipated Consumer (in Seattle) Jan. 22, 2001
Thomas Leabhart workshop Dec. 3, 1999
Jowl Movements I-IX (3) Oct. 28, 1998
Jowl Movements I-IX (1) Oct. 8, 1998
Handke Salmagundi March 16, 1998
Symposium on the Avant-Garde in Portland March 16, 1998
Suicide in B-flat July 1997
