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Portland Mercury

by Alison Hallett, April 19, 2007

Liminal Performance Group has had something to prove since their wunderkind artistic director Bryan Markovitz departed for greener pastures in 2005. Their first show in his absence, Caryl Churchill’s Far Away, was a a mess, so I approached The Theory of Love with some trepidation. It’s a relief to say that, overall, their new show is more accessible, more thoughtful, and ultimately more successful than the last.

The press release for the show explained that The Theory of Love was to be a “multimedia lecture-opera” exploring the true nature of love. The lecture conceit is more than a gimmick: It’s a subtly manipulative way of ensuring that the audience is paying attention. Sitting at a desk in front of two lecterns, waiting to have a complex subject parsed by someone smart, evokes the excitement of waiting for a lecture by your favorite professor who you just know is going to blow your mind. The difference, though, is while my art history professor in college did actually change the way I look at the world, Liminal doesn’t harness insight to their pretty conceit.

David Abel and Leo Chapeau lead the lecture, alternating song with love letters, poetry, and biological factoids while words and photographs are projected on the screens behind them. The information comes in waves, and text and images layer and build while music pulses and thrums like blood pumping through the heart. Eventually a critical mass of information is reached—poetry in many languages, video collage, equations, and theorems—and the pace dials back down again to a quiet, contemplative state.

On a moment-to-moment basis, it’s engaging, often beautiful, occasionally funny. At the end of the lecture, though, it was announced that if the audience didn’t “get everything,” we should come back next weekend to learn more. What, exactly, were we supposed to get? What I got was a well-executed, engaging hour of performance. It was nothing to complain about, but neither was it full of the kind of insight and epiphany that made me want to run back to the library and learn more.

Current News

Features

Resurrectory preview
Portland Tribune, May 5, 2005

Death, Drama, Deconstruction
Portland Mercury, May 4, 2005

Cult of the Liminal
Portland Mercury, April 17, 2003

Liminal Fills Its New Space With A Little Show
Willamette Week, Feb. 21, 2003

Liminal Puts a Modern Spin on Brecht/Weill
The Oregonian, August 23, 2002

The Seven Deadly Sins
Portland Mercury, August 29, 2002

The Seven Deadly Sins
Portland Tribune, August 30, 2002

Artbeat segment on Liminal
OPB, May 2001 [.mov]

Ad for the Artbeat segment on Liminal
OPB, May 2001

Where Text Meets Technology
The Oregonian, April 22, 2001

The New School
Willamette Week, Sept. 15, 1999

Letters to the Editor
Willamette Week, Nov. 11 & 18, 1998

Reviews

Far Away

Portland Mercury Feb. 9, 2006

The Oregonian Feb. 5, 2006

The Oregonian Jan. 25, 2006

Willamette Week Jan. 25, 2006


The Resurrectory

Artweek July/August 2005, Vol. 36, Issue 6

Portland Mercury June 6, 2005

The Oregonian May 13, 2005

Willamette Week May 11, 2005


Faust(Faust)

Portland Mercury Oct. 16, 2003

The Oregonian Oct. 10, 2003

Willamette Week Oct. 8, 2003


Krapp’s Last Tape

Portland Mercury July 31, 2003

The Oregonian July 25, 2003


Three Plays, Five Lives

The Oregonian May 5, 2003

Willamette Week April 26, 2003

Portland Mercury April 24, 2003


Minimal at Liminal

Willamette Week Feb. 26, 2003

The Oregonian Feb. 25, 2003


The Seven Deadly Sins

The Oregonian Sept. 5, 2002


Objects for the Emancipated Consumer

The Georgia Straight Nov. 1, 2001


Interrupt: Interactive Hypermedia

Willamette Week, Nov. 14, 2000


The Hour We Knew Nothing Of Each Other

The Oregonian April 13, 2000


The Evening with the Photograph

The Oregonian June 19, 1999

Willamette Week June 14, 1999


Jowl Movements I-IX

Willamette Week Nov. 4, 1998

The Oregonian Nov. 6, 1998

The Oregonian Oct. 23, 1998


Suicide in B-flat

The Oregonian August 20, 1997

Willamette Week August 13, 1997

Articles by Liminal members

TBA vs. Blazing Saddles
The Organ Review of Arts, Winter 2004

dumb type
Willamette Week, March 13, 2002

Beyond the Fringe
Willamette Week, March 28, 2001

Past news releases




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